Tonight’s Rediffusion, London… in 1968
A look at what was on Rediffusion in London on Monday 29 July 1968
Wired-up for service
Electrical maintenance: the beating heart of Television House and Wembley
Seen and Heard
Sights and sounds of Rediffusion
Who’s who in presentation
Sam Simmonds remembers his time with the people in Rediffusion's presentation department 1961-68
A short history
A brief history of Rediffusion and BET
Target: Production efficiency
The Programme Department means business
What is the future of ASSOCIATED-REDIFFUSION?
John Spencer Will tells shareholders the ups and downs of the financial year 1960-1
Sentenced to death
Rediffusion's chairman tears the ITA to shreds in his final address to shareholders in December 1967
The General Manager’s farewell
Tom "Never Baffled" Brownrigg's valedictory message to Associated-Rediffusion staff
RTV man’s I-view of KYW-TV3
A researcher at Rediffusion is seconded to America
Scenes from a painter’s life
Meet Bill Bolton, a scenery painter at Wembley
A very remarkable man
Remembering Captain Thomas Marcus Brownrigg OBE, CBE, DSO, RN (Rtd), IDC
Fourth floor says… Why we cannot have more TV programmes at present
A word from Associated-Rediffusion management in 1960: technical limitations are preventing ITV-2
Fourth floor (Carlton House) says… ‘Success to Studio 5’
A word from Associated-Rediffusion management in 1960: how Studio 5 at Wembley is coming along
A goggle of graphics
An exhibition celebrates Rediffusion's graphic designers in December 1966
Tele-snaps: Christmas on Rediffusion
Join Rediffusion, London at Christmas...
Tele-snaps: announcers
Rediffusion's voices of authority
Tele-snaps: it’s about time
Spend some time with Rediffusion
Seen and Heard
Sights and sounds of Rediffusion
Who’s who in presentation
Sam Simmonds remembers his time with the people in Rediffusion's presentation department 1961-68
The assassination and TV
A-R, ITN and ATV leap into action on a terrible day
Acorns to Oaks
Two contrasting people write about two contrasting genres
Television in 1984
What will television look like in 1984? The programme makers of 1958 try to find out
What is good TV taste?
Is it possible to define "good TV"?
A matter of opinion: Features
Associated-Rediffusion asks its producers what makes a 'feature' in 1960
The case for 405 line VHF colour
The general manager of Rediffusion on why we should go into colour now, in 1966
In Nine Months TV Transforms Wembley Studios
Switching Wembley from film to television ready for the launch of ITV
How it works… Camera Pick-up Tubes
Mike Metcalfe, Control Section Supervisor, explains how television cameras work
How it works… A question of lines
Basil Bultitude explains the differences between 405, 525, 625 and 819 lines
How it works… The Problem of Genlock
Basil Bultitude explains what genlock is, why it is used and the advantages of other systems
T.V. House by-pass
The Kingsway tram tunnel becomes the Strand underpass
Associated-Rediffusion’s new studio
Studio 5 at Wembley has been designed. A-R's chief engineer takes us around the plans